You can see where I pinned the new pieces on. I still need to fuse them in place.
Here is how it looked before.
I started another strip quilt. This one is quite small. I drew lines on the photo. I want them to be stitching lines but I am still working on how to actually stitch them. I think the piece is too fragile for machine work. Maybe I will try couching.
There isn't any water in the fountain yet so I used rocks and chunks of glass to hide its stark concrete look. The chunks of glass are leftovers from John's stained glass past. The glass sparkles like water. Another satisfying rinky dink project.
I've had pretty good luck ordering fabric online. Mostly it looks as good or better than its photo. Not always, but mostly. This is a Michael Miller batik and that line is pretty reliable. I am anxiously awaiting its arrival. Fingers crossed.
I am still loving this fun piece I've been making. It's all about the interplay of colors, how they affect each other and how I like it. I am happiest when I don't try to figure it all out ahead of time. I like putting pieces together and adding bits. Since this piece has no function except to look at it, there's no need to make it sturdy or washable. There's just adding lines and colors as I see fit.
I did extend it a bit, added some stitching and I fused it to batting. The batting is pinned to a piece of foam core stuff (they sell it as insulation at Home Depot). I like it on the off white background of the batting but can I accept batting showing? And do I want to mount it on the foam core? Most importantly, it makes me want to make another one.
Here it is, propped up against my design wall. The fabrics include hand dyed pieces from Vicki Welsh, Laura Wasilowski, Frieda Anderson and me along with some commercial pieces from Island Batik. The pieces from Frieda are silk and they shimmer but that is not so obvious in my photos.
And here is a detail that shows some of the stitching.